Browsing Electronic Text Centre (ETC) by Issue Date
Now showing items 41-60 of 393
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Fattori, Adolfo. Memorie dal futuro. Ipermedium. Napoli, 2001.
(Dalhousie University. Electronic Text Centre, 2002-06) -
Barbera, Alessandro. Camerata Topolino. L'ideologia di Walt Disney. Stampa Alternativa. Roma, 2001.
(Dalhousie University. Electronic Text Centre., 2002-06) -
Moretti, Franco (éd.). Il romanzo. Volume secondo. Le forme. Einaudi. Torino, 2002.
(Dalhousie University. Electronic Text Centre., 2002-11) -
Crovi, Luca. Tutti i colori del giallo. Il giallo italiano da De Marchi a Scerbanenco a Camilleri. Marsilio. Venezia, 2002. 364 p.
(Dalhousie University. Electronic Text Centre., 2002-11) -
Rev. of O Grau Zero do Escreviver de José Lino Grünewald. Org e Prefácio de José Guilherme Corrêa, São Paulo, Editora Perpectiva, 2002, 278 p. (Col Debates/crítica) ISBN 85-273 -0306. R$32,00.
(Dalhousie University. Electronic Text Centre, 2002-11) -
Littérature et reportage. Actes du colloque international de Limoges (26-28 avril 2000). Textes réunis par Myriam Boucharenc et Joëlle Deluche, Paris, Editions PULIM, Coll. Mediatextes, 2001, 226 p.
(Dalhousie University. Electronic Text Centre, 2002-11) -
Contents - Belphégor Vol 2 No 1
(2002-11) -
Ressources en ligne sur les auteurs de ce numéro
(2002-11) -
L'ultimo upgrade
(Dalhousie University. Electronic Text Centre, 2003)The symbiosis between man and technology is obvious in the robot who is the main character of the movie Bicentennial Man, adapted in 1999 from Isaac Asimov's short story bearing the same title. The humanist search of ... -
Ce genre n'existe pas-pourquoi l'inventer?
(Dalhousie University. Electronic Text Centre, 2003)Stand-up comedy is as low-brow as they come: oral, popular/vulgar, and of course not serious. It is also hardly studied by French academic criticism. In its case, even the problem of the devaluation of media genres (genre ... -
Le Genre cinématographique: Une Catégorie de l'interprétation
(Dalhousie University. Electronic Text Centre, 2003) -
Philip K. Dick: Psichedelici orizzonti, perversi accoppiamenti e nuove alterità
(Dalhousie University. Electronic Text Centre, 2003)In Philip K. Dick's narrative hyper-realism, the description of how artificial beings intensify their natural capacities goes back and forth between drug-inspired hypertrophic suggestions, and the chimerical images that ... -
CRASH: Metafisica dell'ubiquità
(Dalhousie University. Electronic Text Centre, 2003)The culture of the twentieth century is characterized by three industrial products: the cinema, the car and science-fiction. All three relate to the way we experience time and space. In his novel Crash, J.G. Ballard uses ... -
Lo strano caso del Dr. Jekyll e Mr. Hyde, alle radici della cultura di massa
(Dalhousie University. Electronic Text Centre, 2003)In the twenty years between 1850 and 1870, there takes place within the cultural sphere the maturation of a conception of the world based on generalized trust in the virtues of science. From Darwin's theories of evolution, ... -
La narrativa italiana contemporanea e il postumano: Tre esempi (con qualche divagazione)
(Dalhousie University. Electronic Text Centre, 2003)This article attempts to identify a general model that would help us to understand and interpret the relationship between Italian literature and what has been called the "post-human". It does so through the analysis of ... -
La Notion d'aventures dans les productions populaires: Roman, cinéma et jeu d'aventures
(Dalhousie University. Electronic Text Centre, 2003)During the 20th century, as adventure novels were progressively losing favour, two couples appeared that would give a surprising new twist to the notion of "adventure": the couple adventure movie/action movie and the couple ... -
Morphing informatique et hybridation technologique: Des artistes plasticiens à la recherche de leur double
(Dalhousie University. Electronic Text Centre, 2003) -
De l'importance du genre en culture médiatique
(Dalhousie University. Electronic Text Centre, 2003)In the field of mass fiction, the question of genre is as fundamental as that of the medium being used, as the logic of a series often depends upon genre-based classifications. Popular literature, therefore, could be ... -
Crise de genres, genres de la crise dans les années 20
(Dalhousie University. Electronic Text Centre, 2003)This article deals with a period of French literary history well-known for having been marked by a major discussion of the literary genre system: the nineteen-twenties. Its goal is to test the actual validity of a partition ... -
Le Genre comme outil d'interprétation en réception: Le Cas des téléséries chiliennes
(Dalhousie University. Electronic Text Centre, 2003)Most research on the telenovela views this type of TV production as a genre with relatively stable characteristics. The research conducted for this article, dealing with identification processes in the reception of the ...