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dc.contributor.authorGaskin, Tara Kathleen
dc.date.accessioned2012-08-07T17:22:13Z
dc.date.available2012-08-07T17:22:13Z
dc.date.issued2012-08-07
dc.identifier.urihttp://hdl.handle.net/10222/15163
dc.description.abstractTraditional church buildings negotiate thresholds in a way that supports a program of cyclical and elevating rituals. Each threshold is marked by an architectural image, one that comes to be associated with a particular practice or event. This thesis begins with an analysis of the experience of sacred spaces, then considers ways to emphasize qualities of existing elements. The design inhabits the liminal spaces across thresholds and promotes the contemporary ritual practices of art. The chosen test site for the design methodology is Central Presbyterian Church on the bank of the Grand River in Cambridge, Ontario. A recent resurgence of the local creative community has drawn interest to the area and provides the basis of the user-based program for this project.en_US
dc.language.isoenen_US
dc.subjectSacred spaceen_US
dc.subjectAdaptive reuseen_US
dc.subjectArchitectureen_US
dc.subjectChurchen_US
dc.subjectRitualen_US
dc.subjectCambridge, Ontarioen_US
dc.titleInterpretation and Conservation of Sacred Space: A Ritual-based Approachen_US
dc.date.defence2012-07-10
dc.contributor.departmentSchool of Architectureen_US
dc.contributor.degreeMaster of Architectureen_US
dc.contributor.external-examinerAndrea Kahnen_US
dc.contributor.graduate-coordinatorStephen Parcellen_US
dc.contributor.thesis-readerCatherine Venarten_US
dc.contributor.thesis-supervisorMaria Elisa Navarro Moralesen_US
dc.contributor.ethics-approvalNot Applicableen_US
dc.contributor.manuscriptsNot Applicableen_US
dc.contributor.copyright-releaseNot Applicableen_US
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