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dc.contributor.authorSparkes, Adam
dc.date.accessioned2020-04-23T16:35:07Z
dc.date.available2020-04-23T16:35:07Z
dc.date.issued2020-04-23T16:35:07Z
dc.identifier.urihttp://hdl.handle.net/10222/78808
dc.description.abstractThis thesis focuses on the analysis and interpretation of realist painter, Alex Colville and the relation of techniques used in architecture and art for representing and emobodying the everyday lives of people and places. The thesis puts forth the idea that the notion of composition paired with situational thinking can provide a set of creative principles which articulate the architectural edges and contents of moments and settings while establishing the orientation of the design process. The architectural site to test this theory is the currently underutilized and unorganized site of the Halifax VIA Rail Station located along the waterfront of Halifax, Nova Scotia. The thesis will propose the adaptive re-use of the existing train station and various interventions to the surrounding site to re-configure and organize an architectural response to context which allows for the everyday lives of people to thrive within and without.en_US
dc.language.isoen_USen_US
dc.subjectarchitectureen_US
dc.subjectpaintingen_US
dc.subjectadaptive re-useen_US
dc.subjectcompositionen_US
dc.subjectHalifax, Nova Scotiaen_US
dc.subjectAlex Colvilleen_US
dc.titleDrawing from the Past: The Role of Architecture and Art in Embodying the Everyday Lives of People and Placesen_US
dc.typeThesisen_US
dc.date.defence2018-07-05
dc.contributor.departmentSchool of Architectureen_US
dc.contributor.degreeMaster of Architectureen_US
dc.contributor.external-examinerAnne Cormieren_US
dc.contributor.graduate-coordinatorSteve Parcellen_US
dc.contributor.thesis-readerJames Forrenen_US
dc.contributor.thesis-supervisorRoger Mullinen_US
dc.contributor.ethics-approvalNot Applicableen_US
dc.contributor.manuscriptsNot Applicableen_US
dc.contributor.copyright-releaseNot Applicableen_US
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