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dc.contributor.authorSkinner, Ian
dc.date.accessioned2019-08-26T17:23:05Z
dc.date.available2019-08-26T17:23:05Z
dc.date.issued2019-08-26T17:23:05Z
dc.identifier.urihttp://hdl.handle.net/10222/76306
dc.description.abstractThroughout his career, rapper and singer Drake has been intrinsically connected to place, specifically his hometown of Toronto, Canada. However, upon the release of his 2017 playlist project More Life Drake's music began to demonstrate global influences. Using Massey's theory of relational space, I provide a contextual analysis of Toronto and Drake as well as an analysis of his song "Madiba Riddim". Ultimately I establish that Drake's music demonstrates Massey's theory of relational place by representing the global and local relationships that occur within Toronto as well as outside of it and that give it a unique sense of place.en_US
dc.language.isoenen_US
dc.subjectDrakeen_US
dc.subjectAubrey Drake Grahamen_US
dc.subjectDoreen Masseyen_US
dc.subjectProgressive Sense of Placeen_US
dc.subjectSpaceen_US
dc.subjectTorontoen_US
dc.subjectMore Lifeen_US
dc.subjectMadiba Riddimen_US
dc.title"More Life, More Everything": Drake's Relational Placeen_US
dc.date.defence2019-08-19
dc.contributor.departmentFountain School of Performing Artsen_US
dc.contributor.degreeMaster of Artsen_US
dc.contributor.external-examinerJennifer Bainen_US
dc.contributor.graduate-coordinatorJure Gantaren_US
dc.contributor.thesis-readerJacqueline Warwicken_US
dc.contributor.thesis-supervisorSteven Bauren_US
dc.contributor.ethics-approvalNot Applicableen_US
dc.contributor.manuscriptsNot Applicableen_US
dc.contributor.copyright-releaseNot Applicableen_US
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