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dc.contributor.authorRieth, Lina
dc.date.accessioned2016-08-30T14:35:01Z
dc.date.available2016-08-30T14:35:01Z
dc.date.issued2016-08-30T14:35:01Z
dc.identifier.urihttp://hdl.handle.net/10222/72134
dc.description.abstractthis analysis. First, the definition and key features of tragedy will be discussed, followed by a closer look at the special circumstance of this public literary form after the 17th century in Europe. In relation to Steiner’s The Death of Tragedy, the question is raised, whether the new world view after the French Revolution had an impact on the overall perception of the tragic. As a vital example, Goethe’s evasion of the literary form of tragedy and his poetical aesthetics in West-östlicher Divan shed light on the relation between the tragic and Heiterkeit. His artistic perception is highly influenced by the arts of the orient. Based on Wilde’s essay The Decay of Lying, Goethe’s impact on Wilde’s perception of art will be outlined, at its heart is his demand to recognize art as a fully independent entity free from reality. Regarding his aesthetic approach, his tragedy Salomé will be reinterpreted, hoping to reveal his exceptional work as a combination of tragedy, Heiterkeit and the unreal.en_US
dc.language.isodeen_US
dc.subjectGoethe, Johann Wolfgang von, 1749-1832en_US
dc.subjectWilde, Oscar, 1854-1900en_US
dc.subjectAestheticsen_US
dc.subjectTragödiendiskursen_US
dc.subjectHeiterkeiten_US
dc.titleZur Tragödie und Heiterkeit. Oscar Wildes Salomé - eine heitere Tragödie?en_US
dc.date.defence2016-08-25
dc.contributor.departmentDepartment of Germanen_US
dc.contributor.degreeMaster of Artsen_US
dc.contributor.external-examinern/aen_US
dc.contributor.graduate-coordinatorHans-Günther Schwarzen_US
dc.contributor.thesis-readerJudith Sidleren_US
dc.contributor.thesis-readerJürgen Joachimsthaleren_US
dc.contributor.thesis-supervisorHans-Günther Schwarzen_US
dc.contributor.ethics-approvalNot Applicableen_US
dc.contributor.manuscriptsNot Applicableen_US
dc.contributor.copyright-releaseNot Applicableen_US
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